Teisco Serial Number Dating

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A: Identifying the exact age is usually impossible - no records were kept of serial numbers and manufacture dates. If you read the 'Timeline' page then you.

1960s Teisco ET-312 At the beginning of Japanese electric guitar production, the designers combined the Japanese artistic sense with whatever electric guitar examples they had. Sometimes they only had photos to use. In the 1950s, the small-bodied electrics were inspired by Valco,, and designs. There were very few Gibsons and Fenders in Japan at this time, and those that were there were very expensive. In the 1960s, designs became more extreme and bizarre because of three factors.

First, American buyers (in the form of wholesalers and importers) often requested designs that were copies of popular designs but meant to 'out-do' the originals through sheer sensationalism. Remember, the main market were American teenagers. Second, Japanese designers were often left to create many prototypes to show buyers. Variation, combined with the aforementioned Japanese artistic flair, led to some truly original designs. And last, I attribute a lot to the time period. The 1960s were just way out there in a lot of ways, and many guitar companies from all around the world exhibited guitars with original designs. As the 1970s rolled around, true copy guitars were selling well, and all the creative flair of the 1960s unfortunately was long gone.

I know a lot of these brands were made in the same factories. Can you give me a overview of which brands were made by the same people?

The four main sources of Japanese electric guitars were,,,. These were by far the biggest producers. There were many other smaller factories during the 1960s, but almost all of them were gone by 1969. Teisco guitars were primarily produced with the Teisco, Teisco Del Rey, and brand names.

Guyatone guitars mainly appeared in the US under the brand. Fujigen guitars used about 30 different brand names, and Kawai used even more! From left to right, a Norma, 3 Teiscos and a Conrad. Are there any particular brands or models that are the most sought-after by collectors? Usually, the craziest designs are the most popular.

Lots of switches, pickups, knobs, etc. Popular Japanese electric guitars are hard to identify because many players simply want to buy that same guitar they started playing on. But any type of artist association, as with other guitars, creates a demand.

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Hound Dog Taylor, Ry Cooder, David Lindley, and even the infamous Shaggs all used Japanese guitars. How has general interest in vintage Japanese guitars changed over the years? It's still a fringe market, compared to vintage Fenders and Gibsons. Demand comes and goes, and devoted collectors with deep pockets come and go. In America, the demand seems to be the greatest. In comparison, there is very little demand in Japan.

What should buyers look for when shopping for these instruments? Electric machines by nagrath and kothari pdf download full. When buying vintage Japanese guitars, you have to realize that they all need work. Usually a lot of it to get them playable. Neck issues are the most problematic. Neck angles, truss rods, and frets are always aspects that will need attention.

Electronics are another area of concern, but not as much as people think. Most of these areas can be corrected by a good 'old-school' tech who understands all the quirks. It's like mechanics who understand how to repair carburetors. These techs are getting hard to find. What got you interested in offbeat Japanese guitars?